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National Endowment for the Arts, Federal Design Matters, 1975 pic.twitter.com/oYmUqRE2Cr

Stefan Schlesinger, Voorbeelden Van Moderne Opschriften Voor Schilders En Teekenaars, Amsterdam, 1939 pic.twitter.com/nRWTbk68u9

Artist unknown, Typographie, 1957 pic.twitter.com/RW4Cqq5GMu

Artist unknown, Photo-Lettering's 1969 Alphabet Yearbook, New York, 1969 pic.twitter.com/MwzsddqKQT

George Bickham, Penmanship In Its Utmost Beauty and Extent, 1731 pic.twitter.com/SEOuqpuZA2

Gill Sans Specimen from the Amsterdam printer Duwaer and Sons. pic.twitter.com/XaptItKAoH

Artist unknown, Vendre, Vol. 6, No. 41, Paris, 1927 pic.twitter.com/n3azJVEqQf

Dada: Art and Anti-Art by Hans Richter, New York, 1965 pic.twitter.com/dbQHnDoWeS

Klaus Burkhardt & Reinhard Döhl, Rot 40: Poem Structures In the Looking Glass, 1969 pic.twitter.com/czxdpkVCdM

Warren Lehrer, I Mean You Know, 1983 #ConcretePoetry pic.twitter.com/kZoQ7bfVFM

Walter Ballmer, Olivetti, 1971 #IdentityManual pic.twitter.com/NJ4M59ulY1

Jean Loisy, detail from Lettres published by Arts Et Métiers Graphiques, Paris, 1948 pic.twitter.com/Hor7JI9Cdt

Paul Rand, advertising poster for El Producto, 1954 pic.twitter.com/l77w4TFOGM

F H K Henrion, Britain Between West and East, A Contact Book, London, c. 1946 pic.twitter.com/WASg20jHwQ

Tom Geismar, New Years greeting card, 2003 pic.twitter.com/FkI7VUCwmE

Ross George, mock-up for Gothic Exercises, c. 1938 pic.twitter.com/jYvqG68olD

Illustrations by J.R. Jobbins, "The Book of Initial Letters and Ancient Alphabets for Ornamental Purposes," c. 1850. pic.twitter.com/qQjj9wiz5A

Robert Bereny, Colour in Advertising by Joseph Binder, London, 1934 pic.twitter.com/tkuDEqlLTg

Kurt H. Volk, Using Type Correctly, New York, 1935 pic.twitter.com/FHQXZUSaFY

Herb Lubalin, U&lc, Vol. 8, No. 3, 1981 pic.twitter.com/VJsw62YUyv

Aaron Marcus, Letraset on postcard, c. 1970s pic.twitter.com/tZXU2bhFpR

Japanese typewriter catalog, n.d. pic.twitter.com/ZLvv8wtNIt

Karl Hyde & John Warwicker, Mmm...Skyscraper I Love You, 1994 pic.twitter.com/9CvmtZ3SlM

Geoffrey Lee, Impact, Stephenson Blake, 1965 #LfATypeEphemera pic.twitter.com/WnChGrc94z

Emory Douglas, The Black Panther, Vol. 6, No. 30, Oakland, 1971 pic.twitter.com/CT34CK8zsf

Mark van Wageningen, Novo Typo Color Book, 2017 pic.twitter.com/PriMt0lbfI

Kurt Schwitters, Sparkasse der Haupstatd Hannover letterpressed envelope, 1930 pic.twitter.com/ZR00hwNSB4

Karel Teige, Abeceda by Vítězslav Nezval, Prague, 1926 pic.twitter.com/HlLSntMGbu

Aaron Marcus, The City Sleeps, 1972 pic.twitter.com/EBVwQvGfe6

Happy birthday, John Baskerville! Baskerville's Holy Bible, Cambridge, 1763 #LfABirthday pic.twitter.com/b8AJBIvAvs

American Motors Corporate Identity Standards, 1972 #IdentityManual pic.twitter.com/w3Z6XfB0on

Europa 1907 exhibition poster for the Stedelijk Museum in Amsterdam, Willem Sandberg, 1957. pic.twitter.com/QpuSWYThiW

The ABC for lovers of beautiful typefaces (Dutch). Small typography reference book published by Monotype in 1966. pic.twitter.com/fygxT7OTsm

Zeppelin the inline version of Kabel, designed by Rudolf Koch, published by Klingspor, 1929. #a2zspecimens pic.twitter.com/nqFDaSq6Y7

Arnold Bank for Scott Paper Company, 1966 pic.twitter.com/gn20lg6hXg

In the Land of Punctuation, typographic illustration by Rathna Ramanathan. poetry by Christian Morgensten, 2009 pic.twitter.com/5q5H73DBBF

Henry N. Russell, Design and Paper, No. 20, New York, c. 1945 pic.twitter.com/El1NzyD5Rh

Seewald, flyer for The Leipzig Technical and Construction Fair, 1934 pic.twitter.com/OHieoFFf2g

Will Burtin, Visual Aspects of Science, 1962 pic.twitter.com/u2u2x86u9o

Josef Albers, Offset Buch und Werbekunst, 1926 pic.twitter.com/497L5UmweC

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