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Will Burtin, Visual Aspects of Science, 1962 pic.twitter.com/u2u2x86u9o

Josef Albers, Offset Buch und Werbekunst, 1926 pic.twitter.com/497L5UmweC

Herbert Bayer, Offset Buch und Werbekunst, 1926 pic.twitter.com/MV01L3ja19

Sato Koichi, Novum Gebrauchsgraphik, No. 6, Munich, 1981 #LfAPeriodicals pic.twitter.com/kfi0CxoFG2

Ross George, Modern Single Stroke Roman in the Speedball Textbook, 18th ed. pic.twitter.com/Mhq8s7L3HI

Typographica 5 edited by Herbert Spencer, London, 1962 pic.twitter.com/BswFORS5C7

Jan Tschichold, Fototek (Books of Modern Photography), Vol. 1, Berlin, 1930 pic.twitter.com/cFZoivhT5y

de Papiermolen, Holland, October 1935 pic.twitter.com/ckwHxAI5Z9

Klaus-Peter Dienst, Carmina Burana, 1962 pic.twitter.com/jDH2HV79NF

Unpacking the mail: A tableful of letters hand-cut by Herbert Matter. pic.twitter.com/Tl9NfbjOFr

American Wood Type Manufacturing Co. catalog, 1958-59 pic.twitter.com/Hv4il43jIE

John Heartfield, Der Sumpf by Upton Sinclar, 1928 pic.twitter.com/hOWD2YJUtY

Ennio Lucini, Pacco, Milan, 1964 pic.twitter.com/9JW0dkjiMv

Willem Sandberg, Experimenta Typographica 11, 1956 pic.twitter.com/sn5JuJvNSb

Artist unknown, Modern Publicity 1937-38, The Studio Magazine, London & New York, 1937-38 pic.twitter.com/cINcjYCTAC

A.M. Cassandre, Bifur, Deberny et Peignot, France, 1929 #LfATypeEphemera pic.twitter.com/t41CARLBmC

Elaine Lustig Cohen, exhibition catalog for Picasso: The Master Works, Kootz Gallery, New York, 1958 pic.twitter.com/cJqqUE5fim

Rudolf Wolf, Garamond, Stempel/Linotype, 1928 #LfATypeEphemera pic.twitter.com/2zsFkDw2Qe

Emigre, logo on paste-up board, 1983 #LfAYearInReview pic.twitter.com/uhMkwNf0sa

Happy birthday, El Lissitzky! Cover design for Vešč, 1922 #LfABirthday pic.twitter.com/Ob7txfMMgw

Apple Computer, Inc., Apple Corporate Identity Guidelines, 1985 #IdentityManual pic.twitter.com/cngBFoCqj9

Calligraphy nibs manual by Heintze & Blanckertz, with examples by Prof. Wilhelm Krause, 1928. pic.twitter.com/m69ypldcik

The Graphic World of Paul Peter Piech ed. Zoe Whitley, 2014 pic.twitter.com/YH524SkCNM

Wladyslaw Strzemiński, Tre Pionérer For Polsk Avant-Garde (Three Pioneers of Polish Avant-Garde), 1985 pic.twitter.com/2WTeqSOQun

Ross George, Speedball Textbook, 20th Edition, Philadelphia, 1972 pic.twitter.com/zTgz2Jvxk5

Makoto Nakamura, Annual of Advertising Art in Japan, 1969 pic.twitter.com/v6y9wtrlFp

Jan van de Velde, Spieghel der Schrijfkonste, 1605 pic.twitter.com/G7PyQaPt1P

Artist unknown, insert from The Bowater Papers, No. 3, 1954 pic.twitter.com/wrLFz6ovtw

Marshall McLuhan & Quentin Fiore, The Medium is the Massage, 1967 #ConcretePoetry pic.twitter.com/HS1IzgtPvO

Artist unknown, CIBA-GEIGY Corporate Identity Manual, 1973 #LfAIdentityManual pic.twitter.com/S7eIat8Ek4

Aaron Marcus, Letraset on postcards, c. 1970s pic.twitter.com/pCP6SejiaB

William Sutherland, chromolithographic alphabets for sign painters, c. 1898 #LfAYearInReview pic.twitter.com/60vDFGbvG9

Anonymous, Constructivist cover design, 1929-30, #LfANonLatin pic.twitter.com/ztZRVKt63W

Dieter Rot, Bok, Reykjavik, 1959 #ConcretePoetry pic.twitter.com/nrXJkoqCmr

Danne & Blackburn, NASA Graphics Standards Manual, 1976 #IdentityManual pic.twitter.com/LR30DjQW1g

Lajos Kassák, Tisztaság könyve, Budapest, 1926 pic.twitter.com/CZ6lt2xtcz

Bruno Monguzzi, Lo Studio Boggeri 1933-1981, Milan, 1981 pic.twitter.com/11uW73hNf5

Willi Baumeister, Das Neue Frankfurt (The New Frankfurt), No. 1, 1931 pic.twitter.com/JtXVpayphs

Fortunato Depero, Dinamo Futurista, No. 1, 1933 pic.twitter.com/bLselBRSH6

Marcel Duchamp, La Septieme Face Du Dé by Georges Hugnet, 1936 pic.twitter.com/5nuRXmLg6J

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