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Rudolf Koch, Die Heilung des Besessenen, 1919 pic.twitter.com/CUa4K3Tkml

A.M. Cassandre, Vendre, Vol. 6, No. 41, Paris, 1927 pic.twitter.com/TkeTGWyuJg

Margit Varro, Designs to Music, Chicago, 1952 pic.twitter.com/XiUCgM32l7

Pierre Boucher, Arts et Métiers Graphiques, No. 58, 1937 pic.twitter.com/QOxRPunR2J

Happy birthday, Herb Lubalin! Herb Lubalin, Avant Garde no. 8, 1969 #LfAbirthday pic.twitter.com/yTOk2fAvJu

Happy birthday, Leonard Baskin! Auguries of Innocence by William Black, New York, 1968 #LfAbirthday pic.twitter.com/UXL9ZHSKUL

Paul Rand, The Dada Painters and Poets by Robert Motherwell, New York, 1951 pic.twitter.com/S4T9T2roG3

We saved one of our favorites for last. “The Treasure in the forest”, stencil illustrations by Dwiggins, 1936. pic.twitter.com/vrdZUqy0lS

Transit was Jan Tschichold 1st typeface, published by Amsterdam Type Foundry, 1930. #a2zspecimens pic.twitter.com/J31anZghrG

Design as Art, Bruno Munari, English translation 1971 pic.twitter.com/RGCbIX0vZC

Mikhail Larionov, ticket for the Bal Banal, Paris, 1923 pic.twitter.com/yXxQmJre5h

Max Bittrof, Element, Bauer, 1934 pic.twitter.com/k892WrXQOS

The Journal of Typographic Research, Vol. 1, No. 2, 1967 pic.twitter.com/dTEmqjOj5O

Rudolf Geyer, Wiener Grotesk, Berthold Foundry, Berlin, 1912 #LfATypeEphemera pic.twitter.com/cISWPyK4DA

Artist unknown, Photo-Lettering's 1969 Alphabet Yearbook, New York, 1969 pic.twitter.com/xueGSoO8zd

Artist Unknown, Rote Gedichte und Lieder (Red Poems and Songs), Berlin, 1924 pic.twitter.com/LIWfzPhI49

Bruno Munari, Alfabetiere, Mantova, 1960 #LfAKids pic.twitter.com/UPpALwo6sC

Karel Teige, Abeceda by Vítězslav Nezval, Prague, 1926 pic.twitter.com/bbU0gQqI2A

Paul Rand, promotional pamphlet for Kaiser, 1951 pic.twitter.com/ZUm3wmINHp

Jan Tschichold, exhibition poster, 1938 #photomontage #LfAPosters pic.twitter.com/x2T790GFx8

Happy birthday, Anton Stankowski! Visible Presentation of Invisible Processes, Teufen, 1963 #LfAbirthday pic.twitter.com/sX7MWkccvi

Poster for the Basel city theater, A. Hofmann, 1965. pic.twitter.com/xuzTCq3APh

Manuscript sheets by Hollis Holland representing different kinds of serifs and calligraphic styles. pic.twitter.com/zrEgnpq0I7

Jan Tschichold, Designing Books, 1951, after he turned his back on Neu Typographie pic.twitter.com/pHpzoFFaIN

Walter Kampmann, Das Plakat #21, Berlin, 1921 pic.twitter.com/LkLWjzL9zs

El Lissitzky, cover design for Vešč, Berlin, 1922, gouache sketch pic.twitter.com/9epZrghifc

Saul Steinberg, All In Line, New York, 1945 pic.twitter.com/tt4Kiyd89Q

Dr. Otto Croÿ, Fotomontage, 1937 pic.twitter.com/UCeik96YVp

Happy New Year! Card by Harold Jacobs. pic.twitter.com/f8vGbzvN9s

TEXFI Corporate Identity Manual, c. 1974 pic.twitter.com/THEM8trulY

Drukkersweekblad, Amsterdam, December 1928 pic.twitter.com/guAUKtmeNL

Standard, Berthold (Amsterdam-Continental), c. 1962 #LfATypeEphemera pic.twitter.com/dowGJR49vp

Ross George, Modern Caps in the Speedball Textbook, 14th ed., 1941 pic.twitter.com/JwBwyTXZBW

André Chanté, Or featured in Lettera 4 by Armin Haab & Walter Hættenschweiler, New York, 1972 pic.twitter.com/Ol03thyPEL

J. Erbar, Erbar Grotesk, Linotype, c. 1930 #LfATypeEphemera pic.twitter.com/qwJ8MbBQcV

Kurt Schwitters, Kate Steinetz & Theo Van Doesburg, Die Scheuche Märchen, 1961 (reprint) pic.twitter.com/tdLP16g7I9

A.M. Cassandre, Le Spectacle est Dans La Rue (The Show Is On the Street), 1935 pic.twitter.com/KUSh7WPqPD

Piet Zwart, advertising for Netherlands Cable Works, c. 1920s #LfAYearInReview pic.twitter.com/Gn152qyff2

Herbert Bayer, Electronics: A New Science for a New World by General Electric Company, 1942 pic.twitter.com/ry0H6Jx5AS

Aldo Novarese, Forma, Nebiolo, c. 1967#LfATypeEphemera pic.twitter.com/7to7xDewXn

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