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Le top des tweets de Typographica

Top 50 des sources > Typographica  #49 / 393

“1941: The Year That Keeps Returning”…

Toronto, 1950:… @BeatriceWarde visits Canada & tells ’em what she thinks of their typography.

Ceremony… a label/icon font for maps & infographics from master atlas maker Joost Grootens.

SangBleu… — the quiet, confident French Modernist was first issued in ’08 & expanded in ’15.

Still getting to know Schneidler, keep turning up fascinating stuff. Latein/Schrägschrift:…

Mr @richard_lipton demos one of his many styles at @TypographicsNYC TypeLab. Then he gave it to me cuz he’s rad.

Speaking of Bungee and vertical signs: I land in NY, walk to hotel, and this is one of the first things I see.

Obrigado to @rui_abreu for supporting in May and lending Grifo Italic for our nameplate.

“Mikser … a joyously self-conscious design, it ditches the conventions of fixed-pitch type.”…

That’s one way to do an æ. (Real Double Pica, Hobart & Robbins, 1851) Tholenaar Collection at @Lett_Arc

Only knew the term “typometry” via @Jorge_de_Buen (2003). ’Til now:… (1893, tho diff meaning)

Following the theme of fonts derived from lettering, here’s @FontFont’s tribute to Ben Shahn…

ROCK Extinct BIRD Scalped Beau 8 Caxton Old Style from Marder, Luse & Co. ca. 1893…

As you would expect, @ffranchi’s slides are as good as his magazine spreads. #typo15

… the fragmentation of devices makes it even more complex. So designing icons now is about designing for scalability.

Curious to hear theories: What is drawing young designers to pseudo-historical-wonky-serifs?…

… even more so now. (Most of 50 Hot New Fonts are < $10 or 50+% off) This slide is bad for everyone … incl MyFonts.

… A better shot of this great sign. This time I climbed a nearby wall to get closer.

Downtown, Faro, Portugal:… Photo by @acejet170.

Grunt. I like the name, but this @markhrast face is just too elegant for it.

Mark Butchko’s new Rodger… Lively soft sans that owes a lot to phototype like Alphabet Soup.

As its name implies, Clone… feels familiar, but it’s a novel hybrid of mechanical & natural.

“Like a Brazilian megacity, the design of Tenez… brims with vitality.” — @marsidesino

Team Israel gathering at #Typo16 Show. Join us with Michal Sahar at 1800 to gain some Hebrew script knowledge.

Ermina by @frantastorm 5 weights + italics. Bifurcated Tuscan ain’t just for circus posters.

Luc(as) de Groot shows how lettershape matters very little at small sizes. It’s all contrast, proportion, spacing.…

Top Type Design Vids of 2015: Nominee (oh)No. 1…

I’ve never been big on Walbaum but have new appreciation seeing this letterhead in person.…

… Also, of course, people were using faux grid lines to explain letters at every stage in type history. Here’s 1980.

São Paulo’s cemeteries are filled with Art Deco lettering and modern sculpture. #atypi…

In dark hours, when I thought we’d never finish, glancing at @letterror’s Ikarus ( got me thru was a good excuse to use @djrrb type. Output (my OS font for mnths!) & untitled nod to Schadow

#TypeCon attendees: Do you want this 1930s Klingspor specimen donated by @Lett_Arc? Come to the Quiz tonite & win it!

Our nameplate for July is @kamedesign’s Stenciletta… Thank you for your support, @delvefonts!

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