Le top des tweets de Letterform Archive

Top 50 des sources > Letterform Archive  #41 / 386

Tézzo Suzuki, Calendar 18, Tokyo, 2017. Swipe left to see February–May! pic.twitter.com/RmMeDhviI3

Bob Cobbing, untitled visual poem pic.twitter.com/hEYpS21odW

Ivan Chermayeff & Tom Geismar, PBS Identity Manual, ca. 1984 pic.twitter.com/6BTBUGfs6j

Ross George, Original art for a series of lessons in Speedball lettering, ca. 1940s pic.twitter.com/bbSWoZpqaa

Doyald Young, The Parts of a Letter, printed by Patrick Reagh, Sebastopol pic.twitter.com/J0qoYGKOqt

We are honoured to have received the complete Emigre archive as a donation from its founders.letterformarchive.org/emigre?utm_sou… pic.twitter.com/2k2RqByXEr

Toshihiki Shimizu, Six Meditations, Japan, 1969 pic.twitter.com/6NQ8rW5aAU

Paul Rand, Westinghouse Graphics Identification Manual, 1961 #LfAIdentityManual pic.twitter.com/5BTGpFKvsO

Paul Rand, The IBM Look, 1972 pic.twitter.com/P9HOiaCmfv

Peter Malutzki, Linocut alphabet, 1981 pic.twitter.com/iAujtmJ2k7

Ladislaw Medges, Broom: An International Magazine of the Arts, Vol. 2, No. 3, 1922 pic.twitter.com/xOV2puusyh

RCA Corporate Identification Manual, 1969 #LfAIdentityManual pic.twitter.com/6tozLwYpwF

Ivan Chermayeff & Tom Geismar, PBS Identity Manual, ca. 1984 pic.twitter.com/M8oRydKuIa

Saul Bass, Bell Systems Graphic Standards Manual, 1969 #IdentityManual pic.twitter.com/tT58rX87dd

Ben Shahn, A Partridge in a Pear Tree, New York, 1949 pic.twitter.com/bioZEZX14F

Roger Excoffon, World Graphics 2, 1962 pic.twitter.com/cwK0n0VOjI

“Lettergreep”, a book of typographic experiments by Dick Elffers, 1971. pic.twitter.com/fnSzorFiaa

Robert Prost, Untitled concrete poem, Café Solo, Series 2, No. 3/4, San Luis Obispo, 1970 pic.twitter.com/Yi2g9J8TKP

Lester Beall, How to Design a Letterhead, 1952 pic.twitter.com/wnmXoD2oOS

Andrew W. Lyons, Grammar of Lettering, London, 1908 pic.twitter.com/jvCxHAxzC0

Jean Midolle, Alphabet Lapidaire Monstre, Spécimen des Écritures Modernes, 1834 pic.twitter.com/KTqsl5Y2oF

Karel Martens, Reprint, 2015 pic.twitter.com/EXD2kf1t9z

Jan Tschichold, special guest ed. issue of Typographische Mitteilungen, 1925, clarified principles of New Typography pic.twitter.com/oCAdv1HP8L

Arthur Baker, Calligraphic Alphabets, New York, 1974 pic.twitter.com/szD9mz0e3a

Andrew W. Lyons, Grammar of Lettering, London, 1908 pic.twitter.com/TlSvNXQaDs

Jiří Kolář, Untitled collage, 1962 pic.twitter.com/HXZuF09VpV

Ulm 14/15/16, Journal of the Ulm School for Design, 1965 pic.twitter.com/jpjP8KAArJ

Yellow Pages Advertising Specifications, 1967 pic.twitter.com/TaLgmFmVKW

Ann Hechle, foundational cards, 1973 pic.twitter.com/51SYBA1Y7w

Gustav Klutsis, Constructivist postcards, 1928 #LfANonLatin pic.twitter.com/ERgX8CxtN0

Fortunato Depero, Emporium, Vol. 66, No. 39b, 1927 pic.twitter.com/mGop4TZhuU

ESPRIT: The Comprehensive Design Principle by Douglas Tompkins, 1989 pic.twitter.com/PwDleOgsgU

Richard Coyne, Communication Arts, 1960 pic.twitter.com/7a7jdNPGdx

Walter Marti, Typographie, 1957 pic.twitter.com/DEXQZibkya

Max Huber, Borsalino postcards, c. 1950 pic.twitter.com/pcysYBCrRu

Mike Metz, Assembling, 1978 pic.twitter.com/A1gAw8Y0qf

Herbert Spencer and Colin Forbes, New Alphabets A-Z, New York, 1974 pic.twitter.com/AjeOVK3Chi

Happy birthday, Frederic Goudy! Frederic Goudy, The Alphabet, New York, 1918 #LfAbirthday pic.twitter.com/wVZjEExml3

Samuel Welo, Practical Lettering: Modern and Foreign, Chicago, 1930 pic.twitter.com/zarxPENTU9

Walter Ballmer, Olivetti Corporate Identity Manual, 1971 #LfAIdentityManual pic.twitter.com/vtkq73aZtx

100 cartes de visite dorure à chaud gratuites
Imprimez vos cartes de visite gratuitement
Gratuit 100 cartes de visite quadri recto dorure recto seul Exa-Bigfoot-Dorure-a-chaud
Je crée mon compte
Calcul « salaire » freelance
Nouveau simulateur à destination des indépendants
KobOne-calcul-salaire-freelance
Estimez au plus juste votre seuil de rentabilité et taux journalier moyen.
Faire une simulation
En poursuivant votre navigation sur ce site, vous acceptez l’utilisation de cookies pour vous proposer des contenus et services adaptés à vos centres d’intérêts.