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Walter Ballmer, Olivetti Corporate Identity Manual, 1971 #LfAIdentityManual pic.twitter.com/vtkq73aZtx

Various album covers, from Book Jackets & Record Covers by Kurt Weidemann, New York, 1969 #LfAMusic pic.twitter.com/2jdwgZBX3m

Herman Miller Corporate Communications Design and Development, 1980 #IdentityManual pic.twitter.com/hesdtRfxLh

KFC Corporate Identity Standards, 1992 #IdentityManual pic.twitter.com/TEJxl6iUzz

Paul Rand, IBM Graphic Design Guide, 1990 pic.twitter.com/Jd9EOoDWnI

Romano Hänni, Typo Bilder Buch, Basel, 2012 #designarchives pic.twitter.com/2xhoHuvSQa

Adriana Caneva & Shiro Nishimoto, Glyph, London, 2015 pic.twitter.com/cFHqIIMxBV

Happy birthday, Josef Albers! Josef Albers, Persuasive Percussion, Vol. 3, 1960 #LfAbirthday pic.twitter.com/Er3PAgWoqM

cover adapted from El Lissitzky's letterhead, Art For The Masses, Williamstown, 1985 pic.twitter.com/PIlGmtse7E

Sybold van Ravesteijn, De Gemeenschap, No. 12, 1927 pic.twitter.com/7p8867wOYO

Herbert Spencer, Typographica 14, London, 1958 pic.twitter.com/MguS6Izvkx

Joost Schmidt, Offset Buch und Werbekunst, 1926 pic.twitter.com/FQ7p8wrRMA

Eric Gill, Perpetua, Monotype, 1928 #LfATypeEphemera pic.twitter.com/fg4SBsFeDA

W.A. Dwiggins, detail from an Investigation into the Physical Properties of Books..., 1919 #DwigginsatLfA pic.twitter.com/RrZ3UW9maz

U.S. Department of Labor Graphic Communications Standards Manual, ca. 1970s pic.twitter.com/jeYFIk9gjr

National Endowment for the Arts, Federal Design Matters, 1975 pic.twitter.com/oYmUqRE2Cr

Stefan Schlesinger, Voorbeelden Van Moderne Opschriften Voor Schilders En Teekenaars, Amsterdam, 1939 pic.twitter.com/nRWTbk68u9

Artist unknown, Typographie, 1957 pic.twitter.com/RW4Cqq5GMu

Artist unknown, Photo-Lettering's 1969 Alphabet Yearbook, New York, 1969 pic.twitter.com/MwzsddqKQT

George Bickham, Penmanship In Its Utmost Beauty and Extent, 1731 pic.twitter.com/SEOuqpuZA2

Gill Sans Specimen from the Amsterdam printer Duwaer and Sons. pic.twitter.com/XaptItKAoH

Ikko Tanaka, Graphic Design in Japan, Vol. 1, 1982 pic.twitter.com/RKlJCYcg2g

Hans Schuttenbeld, High on Type, 2017 pic.twitter.com/G4c6C2c8Oj

Ivo Brouwer, High on Type, 2017 pic.twitter.com/EtEA64TaDv

Artist unknown, Vendre, Vol. 6, No. 41, Paris, 1927 pic.twitter.com/n3azJVEqQf

Dada: Art and Anti-Art by Hans Richter, New York, 1965 pic.twitter.com/dbQHnDoWeS

Klaus Burkhardt & Reinhard Döhl, Rot 40: Poem Structures In the Looking Glass, 1969 pic.twitter.com/czxdpkVCdM

Warren Lehrer, I Mean You Know, 1983 #ConcretePoetry pic.twitter.com/kZoQ7bfVFM

Walter Ballmer, Olivetti, 1971 #IdentityManual pic.twitter.com/NJ4M59ulY1

Jean Loisy, detail from Lettres published by Arts Et Métiers Graphiques, Paris, 1948 pic.twitter.com/Hor7JI9Cdt

Aldo Novarese, Stop, Società Nebiolo, 1971 pic.twitter.com/Qlm76j9eRA

Alvin Lustig, exhibition catalog for the Society of Contemporary Designers, ca. 1950 pic.twitter.com/n2mxWiDtlH

Berthold Grotesk, Berthold, ca. 1936 pic.twitter.com/uAPycEJz7O

Paul Rand, advertising poster for El Producto, 1954 pic.twitter.com/l77w4TFOGM

F H K Henrion, Britain Between West and East, A Contact Book, London, c. 1946 pic.twitter.com/WASg20jHwQ

Tom Geismar, New Years greeting card, 2003 pic.twitter.com/FkI7VUCwmE

Ross George, mock-up for Gothic Exercises, c. 1938 pic.twitter.com/jYvqG68olD

Illustrations by J.R. Jobbins, "The Book of Initial Letters and Ancient Alphabets for Ornamental Purposes," c. 1850. pic.twitter.com/qQjj9wiz5A

De Gemeenschap, No. 4, 1926 pic.twitter.com/KKzn719mre

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