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Le top des tweets de Letterform Archive

Top 50 des sources > Letterform Archive  #40 / 393

Jan Tschichold, special guest ed. issue of Typographische Mitteilungen, 1925, clarified principles of New Typography pic.twitter.com/oCAdv1HP8L

Seiichi Niikuni, In Concreto, Paris, 1968 pic.twitter.com/0bH9VqOxV8

Ivan Chermayeff, Cover design for ginza graphic gallery and ddd gallery Graphic Design Annual, 2005. pic.twitter.com/POTxdO00IM

David Kindersley, Variations on the theme of twenty-six letters, 1969. pic.twitter.com/EbVatu1s7D

Arthur Baker, Calligraphic Alphabets, New York, 1974 pic.twitter.com/szD9mz0e3a

Andrew W. Lyons, Grammar of Lettering, London, 1908 pic.twitter.com/TlSvNXQaDs

Jiří Kolář, Untitled collage, 1962 pic.twitter.com/HXZuF09VpV

Ulm 14/15/16, Journal of the Ulm School for Design, 1965 pic.twitter.com/jpjP8KAArJ

Yellow Pages Advertising Specifications, 1967 pic.twitter.com/TaLgmFmVKW

Ann Hechle, foundational cards, 1973 pic.twitter.com/51SYBA1Y7w

Gustav Klutsis, Constructivist postcards, 1928 #LfANonLatin pic.twitter.com/ERgX8CxtN0

Fortunato Depero, Emporium, Vol. 66, No. 39b, 1927 pic.twitter.com/mGop4TZhuU

ESPRIT: The Comprehensive Design Principle by Douglas Tompkins, 1989 pic.twitter.com/PwDleOgsgU

Richard Coyne, Communication Arts, 1960 pic.twitter.com/7a7jdNPGdx

Walter Marti, Typographie, 1957 pic.twitter.com/DEXQZibkya

Max Huber, Borsalino postcards, c. 1950 pic.twitter.com/pcysYBCrRu

Eugene Grossman, Alfabeto Gráfico, Ignacio Villarreal, 1977 pic.twitter.com/gg6WPqiy0V

Frederic Eric W. Goudy, The Alphabet, New York City, 1918 pic.twitter.com/DyNqJfoCK3

Saul Bass, In Harm's Way, 1965. Read more about Bass in our feature at letterformarchive.org/news/saul-bass pic.twitter.com/ynwRveI35M

Lester Beall, How to Design a Letterhead, Parsons Paper Company, 1952 pic.twitter.com/wJrlS2tGOy

Lester Beall, How to Design a Letterhead, Parsons Paper Company, 1952 pic.twitter.com/HSAnI77HVb

Mike Metz, Assembling, 1978 pic.twitter.com/A1gAw8Y0qf

Herbert Spencer and Colin Forbes, New Alphabets A-Z, New York, 1974 pic.twitter.com/AjeOVK3Chi

Happy birthday, Frederic Goudy! Frederic Goudy, The Alphabet, New York, 1918 #LfAbirthday pic.twitter.com/wVZjEExml3

Specimen for Futura Black, Bauer Type Foundry, Germany, 1929. pic.twitter.com/7C69mhUAOl

Samuel Welo, Practical Lettering: Modern and Foreign, Chicago, 1930 pic.twitter.com/zarxPENTU9

Walter Ballmer, Olivetti Corporate Identity Manual, 1971 #LfAIdentityManual pic.twitter.com/vtkq73aZtx

Various album covers, from Book Jackets & Record Covers by Kurt Weidemann, New York, 1969 #LfAMusic pic.twitter.com/2jdwgZBX3m

Herman Miller Corporate Communications Design and Development, 1980 #IdentityManual pic.twitter.com/hesdtRfxLh

KFC Corporate Identity Standards, 1992 #IdentityManual pic.twitter.com/TEJxl6iUzz

Biesta, Laboulaye & Cie. (Typefounders). Épreuves de Caractères. Paris, France. 1843. pic.twitter.com/2kwHpFOD5Q

Jorge Hernandez, screenprint poster for Cuba Zoologico de la Habana, Cuba, 1974. pic.twitter.com/O8h4C08ru1

Ronald Wilkinson, Wychwood ad, London, ca. 1965 pic.twitter.com/LTazilWC5Q

Paul Rand, IBM Graphic Design Guide, 1990 pic.twitter.com/Jd9EOoDWnI

Romano Hänni, Typo Bilder Buch, Basel, 2012 #designarchives pic.twitter.com/2xhoHuvSQa

Adriana Caneva & Shiro Nishimoto, Glyph, London, 2015 pic.twitter.com/cFHqIIMxBV

Happy birthday, Josef Albers! Josef Albers, Persuasive Percussion, Vol. 3, 1960 #LfAbirthday pic.twitter.com/Er3PAgWoqM

cover adapted from El Lissitzky's letterhead, Art For The Masses, Williamstown, 1985 pic.twitter.com/PIlGmtse7E

Sybold van Ravesteijn, De Gemeenschap, No. 12, 1927 pic.twitter.com/7p8867wOYO

Herbert Spencer, Typographica 14, London, 1958 pic.twitter.com/MguS6Izvkx

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