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Hansje van Halem, III, Amsterdam, 2017 pic.twitter.com/4xomgWnqrD

Robert Bereny, Colour in Advertising by Joseph Binder, London, 1934 pic.twitter.com/tkuDEqlLTg

Kurt H. Volk, Using Type Correctly, New York, 1935 pic.twitter.com/FHQXZUSaFY

Herb Lubalin, U&lc, Vol. 8, No. 3, 1981 pic.twitter.com/VJsw62YUyv

Aaron Marcus, Letraset on postcard, c. 1970s pic.twitter.com/tZXU2bhFpR

Louis Barbedor, Les Ecritures, Paris, ca. 1707 pic.twitter.com/CvSdnrtvzt

Paul Rand, Direction, Vol. 3, No. 6, 1940 pic.twitter.com/vv2ESX16FQ

Japanese typewriter catalog, n.d. pic.twitter.com/ZLvv8wtNIt

Karl Hyde & John Warwicker, Mmm...Skyscraper I Love You, 1994 pic.twitter.com/9CvmtZ3SlM

Geoffrey Lee, Impact, Stephenson Blake, 1965 #LfATypeEphemera pic.twitter.com/WnChGrc94z

Emory Douglas, The Black Panther, Vol. 6, No. 30, Oakland, 1971 pic.twitter.com/CT34CK8zsf

Mark van Wageningen, Novo Typo Color Book, 2017 pic.twitter.com/PriMt0lbfI

Kurt Schwitters, Sparkasse der Haupstatd Hannover letterpressed envelope, 1930 pic.twitter.com/ZR00hwNSB4

Karel Teige, Abeceda by Vítězslav Nezval, Prague, 1926 pic.twitter.com/HlLSntMGbu

Aaron Marcus, The City Sleeps, 1972 pic.twitter.com/EBVwQvGfe6

Happy birthday, John Baskerville! Baskerville's Holy Bible, Cambridge, 1763 #LfABirthday pic.twitter.com/b8AJBIvAvs

American Motors Corporate Identity Standards, 1972 #IdentityManual pic.twitter.com/w3Z6XfB0on

Europa 1907 exhibition poster for the Stedelijk Museum in Amsterdam, Willem Sandberg, 1957. pic.twitter.com/QpuSWYThiW

The ABC for lovers of beautiful typefaces (Dutch). Small typography reference book published by Monotype in 1966. pic.twitter.com/fygxT7OTsm

Zeppelin the inline version of Kabel, designed by Rudolf Koch, published by Klingspor, 1929. #a2zspecimens pic.twitter.com/nqFDaSq6Y7

Arnold Bank for Scott Paper Company, 1966 pic.twitter.com/gn20lg6hXg

In the Land of Punctuation, typographic illustration by Rathna Ramanathan. poetry by Christian Morgensten, 2009 pic.twitter.com/5q5H73DBBF

El Lissitzky, Foto-Auge by Franz Roh and Jan Tschichold, Stuttgart, 1929 pic.twitter.com/qZv5GyE93f

M67: Krant voor jonge mensen (Newspaper For Young People), Amsterdam, 1967 pic.twitter.com/ptgNCUIfMt

Al Greenberg, Print, New York, 1962 pic.twitter.com/fiEt7Qp7Ox

Henry N. Russell, Design and Paper, No. 20, New York, c. 1945 pic.twitter.com/El1NzyD5Rh

Seewald, flyer for The Leipzig Technical and Construction Fair, 1934 pic.twitter.com/OHieoFFf2g

Will Burtin, Visual Aspects of Science, 1962 pic.twitter.com/u2u2x86u9o

Josef Albers, Offset Buch und Werbekunst, 1926 pic.twitter.com/497L5UmweC

Herbert Bayer, Offset Buch und Werbekunst, 1926 pic.twitter.com/MV01L3ja19

Sato Koichi, Novum Gebrauchsgraphik, No. 6, Munich, 1981 #LfAPeriodicals pic.twitter.com/kfi0CxoFG2

Ross George, Modern Single Stroke Roman in the Speedball Textbook, 18th ed. pic.twitter.com/Mhq8s7L3HI

Typographica 5 edited by Herbert Spencer, London, 1962 pic.twitter.com/BswFORS5C7

Sister Mary Corita Kent, Words of Ugo Betti, 1965 #internationalwomensday #womensday pic.twitter.com/JsTPyUslxs

Victor Vasarely, Vasarely IV (Plastic Arts of the Twentieth Century), 1979 pic.twitter.com/skzkCjDjUH

Jan Tschichold, Fototek (Books of Modern Photography), Vol. 1, Berlin, 1930 pic.twitter.com/cFZoivhT5y

de Papiermolen, Holland, October 1935 pic.twitter.com/ckwHxAI5Z9

Klaus-Peter Dienst, Carmina Burana, 1962 pic.twitter.com/jDH2HV79NF

Unpacking the mail: A tableful of letters hand-cut by Herbert Matter. pic.twitter.com/Tl9NfbjOFr

Wolfgang Schmidt, Buch 6 Zeichenfelder, 1965 pic.twitter.com/gnefl8OhP1

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