Le top des tweets de Letterform Archive

Top 50 des sources > Letterform Archive  #39 / 393

Atelier Populaire, Paris, May 1968. Read more: letterformarchive.org/news/atelier-p… pic.twitter.com/MBiN0qbsAH

U.S. Department of Labor Graphic Communications Standards Manual, ca. 1970s pic.twitter.com/jeYFIk9gjr

National Endowment for the Arts, Federal Design Matters, 1975 pic.twitter.com/oYmUqRE2Cr

Stefan Schlesinger, Voorbeelden Van Moderne Opschriften Voor Schilders En Teekenaars, Amsterdam, 1939 pic.twitter.com/nRWTbk68u9

Artist unknown, Typographie, 1957 pic.twitter.com/RW4Cqq5GMu

Artist unknown, Photo-Lettering's 1969 Alphabet Yearbook, New York, 1969 pic.twitter.com/MwzsddqKQT

George Bickham, Penmanship In Its Utmost Beauty and Extent, 1731 pic.twitter.com/SEOuqpuZA2

Gill Sans Specimen from the Amsterdam printer Duwaer and Sons. pic.twitter.com/XaptItKAoH

Jorge Hernandez, screenprint poster for Cuba Zoologico de la Habana, Cuba, 1974. pic.twitter.com/GDP4UQqzOO

Jean Carlu, Dentifrices Gellé Frères, 1927. pic.twitter.com/My1ArTUU82

Ikko Tanaka, Graphic Design in Japan, Vol. 1, 1982 pic.twitter.com/RKlJCYcg2g

Hans Schuttenbeld, High on Type, 2017 pic.twitter.com/G4c6C2c8Oj

Ivo Brouwer, High on Type, 2017 pic.twitter.com/EtEA64TaDv

Artist unknown, Vendre, Vol. 6, No. 41, Paris, 1927 pic.twitter.com/n3azJVEqQf

Klaus Burkhardt & Reinhard Döhl, Rot 40: Poem Structures In the Looking Glass, 1969 pic.twitter.com/czxdpkVCdM

Warren Lehrer, I Mean You Know, 1983 #ConcretePoetry pic.twitter.com/kZoQ7bfVFM

Walter Ballmer, Olivetti, 1971 #IdentityManual pic.twitter.com/NJ4M59ulY1

Jean Loisy, detail from Lettres published by Arts Et Métiers Graphiques, Paris, 1948 pic.twitter.com/Hor7JI9Cdt

bauhaus, year 2, no. 2/3, 1928. Read more about the bauhaus journal at  letterformarchive.org/news/periodica… pic.twitter.com/9z7ff1UfeL

Aldo Novarese, Stop, Società Nebiolo, 1971 pic.twitter.com/Qlm76j9eRA

Alvin Lustig, exhibition catalog for the Society of Contemporary Designers, ca. 1950 pic.twitter.com/n2mxWiDtlH

Berthold Grotesk, Berthold, ca. 1936 pic.twitter.com/uAPycEJz7O

Paul Rand, advertising poster for El Producto, 1954 pic.twitter.com/l77w4TFOGM

F H K Henrion, Britain Between West and East, A Contact Book, London, c. 1946 pic.twitter.com/WASg20jHwQ

Tom Geismar, New Years greeting card, 2003 pic.twitter.com/FkI7VUCwmE

Ross George, mock-up for Gothic Exercises, c. 1938 pic.twitter.com/jYvqG68olD

Illustrations by J.R. Jobbins, "The Book of Initial Letters and Ancient Alphabets for Ornamental Purposes," c. 1850. pic.twitter.com/qQjj9wiz5A

David Kindersley, Variations on the theme of twenty-six letters, 1969. pic.twitter.com/opBUBTCNXJ

Jorge Hernandez, screenprint poster for Zoológico de La Habana, Cuba, 1974. pic.twitter.com/KCYNtshXIz

Lance Wyman, Calendario Gráfico, Ignacio Villareal, 1976 pic.twitter.com/uWkdiFrWt4

Wim Crouwel, Drukkersweekblad en Auto-lijn, 1961 pic.twitter.com/fLRf7iSE1e

De Gemeenschap, No. 4, 1926 pic.twitter.com/KKzn719mre

Paul Rand, poster for the Yale University School of Art, 1988 pic.twitter.com/BZJyiKeMNU

Hansje van Halem, III, Amsterdam, 2017 pic.twitter.com/4xomgWnqrD

Robert Bereny, Colour in Advertising by Joseph Binder, London, 1934 pic.twitter.com/tkuDEqlLTg

Kurt H. Volk, Using Type Correctly, New York, 1935 pic.twitter.com/FHQXZUSaFY

Herb Lubalin, U&lc, Vol. 8, No. 3, 1981 pic.twitter.com/VJsw62YUyv

Aaron Marcus, Letraset on postcard, c. 1970s pic.twitter.com/tZXU2bhFpR

Typographica 5 edited by Herbert Spencer, London, 1962 pic.twitter.com/BswFORS5C7

Detail from U&lc Magazine: Vol. 5, No. 3, New York, Sept. 1978 pic.twitter.com/PklMFwcJYD

250 cartes de visites SoftTouch + Vernis 3D gratuites
OFFRE DE NOTRE PARTENAIRE EXAPRINT
Gratuit 250 cartes pelliculées mat Soft Touch + Vernis sélectif 3D recto Exa-Bigfoot-PelliculageSoftTouch_250_GRATUIT
Je profite de l'offre
Calculez le tarif de création d’un logo
Outils et Services freelances
KobOne-calcullogo
Outil gratuit de génération d’un devis de création de logotype professionnel
Découvrir l’outil
En poursuivant votre navigation sur ce site, vous acceptez l’utilisation de cookies pour vous proposer des contenus et services adaptés à vos centres d’intérêts.