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Le top des tweets de Letterform Archive

Top 50 des sources > Letterform Archive  #40 / 393

Jan Tschichold, exhibition poster, 1938 #photomontage #LfAPosters pic.twitter.com/x2T790GFx8

Happy birthday, Anton Stankowski! Visible Presentation of Invisible Processes, Teufen, 1963 #LfAbirthday pic.twitter.com/sX7MWkccvi

Poster for the Basel city theater, A. Hofmann, 1965. pic.twitter.com/xuzTCq3APh

Manuscript sheets by Hollis Holland representing different kinds of serifs and calligraphic styles. pic.twitter.com/zrEgnpq0I7

Jan Tschichold, Designing Books, 1951, after he turned his back on Neu Typographie pic.twitter.com/pHpzoFFaIN

Walter Kampmann, Das Plakat #21, Berlin, 1921 pic.twitter.com/LkLWjzL9zs

El Lissitzky, cover design for Vešč, Berlin, 1922, gouache sketch pic.twitter.com/9epZrghifc

Oscar Vásquez, lettering for various clients, Venezuela, 1985–90. pic.twitter.com/bnLfuwtgQr

Miguel Pedraza, Rotulación decorativa, No. 3, Barcelona, 1946 pic.twitter.com/35Tb0MJYex

Jorge Hernandez, screenprint poster for Zoológico de La Habana, Cuba, 1974 pic.twitter.com/YwDtuDV99b

Corita Kent, Damn Everything But the Circus, Canada, 1970. pic.twitter.com/2UTgijrXpB

Jochen Gerz, In Concreto, Paris, 1968 pic.twitter.com/hk8Wq6g51o

Pelikan Blätter, 1929 pic.twitter.com/VzeeuzXVIJ

The Society of Typographic Arts Summer bulletin, 1959 pic.twitter.com/QYeDmLB7vg

Saul Steinberg, All In Line, New York, 1945 pic.twitter.com/tt4Kiyd89Q

Dr. Otto Croÿ, Fotomontage, 1937 pic.twitter.com/UCeik96YVp

Happy New Year! Card by Harold Jacobs. pic.twitter.com/f8vGbzvN9s

TEXFI Corporate Identity Manual, c. 1974 pic.twitter.com/THEM8trulY

Drukkersweekblad, Amsterdam, December 1928 pic.twitter.com/guAUKtmeNL

Oliver Jeffers and Sam Winston, A Child of Books, Somerville, 2016 #LfAKids pic.twitter.com/tRy06IoOAd

Standard, Berthold (Amsterdam-Continental), c. 1962 #LfATypeEphemera pic.twitter.com/dowGJR49vp

Ross George, Modern Caps in the Speedball Textbook, 14th ed., 1941 pic.twitter.com/JwBwyTXZBW

André Chanté, Or featured in Lettera 4 by Armin Haab & Walter Hættenschweiler, New York, 1972 pic.twitter.com/Ol03thyPEL

J. Erbar, Erbar Grotesk, Linotype, c. 1930 #LfATypeEphemera pic.twitter.com/qwJ8MbBQcV

Kurt Schwitters, Kate Steinetz & Theo Van Doesburg, Die Scheuche Märchen, 1961 (reprint) pic.twitter.com/tdLP16g7I9

A.M. Cassandre, Le Spectacle est Dans La Rue (The Show Is On the Street), 1935 pic.twitter.com/KUSh7WPqPD

Piet Zwart, advertising for Netherlands Cable Works, c. 1920s #LfAYearInReview pic.twitter.com/Gn152qyff2

Herbert Bayer, Electronics: A New Science for a New World by General Electric Company, 1942 pic.twitter.com/ry0H6Jx5AS

Aldo Novarese, Forma, Nebiolo, c. 1967#LfATypeEphemera pic.twitter.com/7to7xDewXn

Eric Gill, Gill Sans, c. 1930 #LfATypeEphemera pic.twitter.com/S4dvwwd01u

Ladislav Sutnar, Obrácení Kapitána Brassbounda by George Bernard Shaw, Prague, 1932 pic.twitter.com/FBYaa4RBz5

Comp for a newspaper advertisement, unknown designer, 1928. Guest series: Alexander Tochilovsky. #la_guestseries pic.twitter.com/rRhhS80q7Y

Robin Price's Counting on Chance, for CODEX Book Fair's 2015 compendium of participating artists Alchimie du Verbe pic.twitter.com/F3SUZH4kd0

More screen-printed window cards by David Klein for The Heights Players, a Brooklyn community theater, 1950–60s. pic.twitter.com/4erzjUGWhg

Tézzo Suzuki / @tezzosuzuki, 2017. pic.twitter.com/pPQooC318i

D. Stempel. Syntax-Antiqua Specimen Book. 69 Die "Sechser" und die "Neuner." Hans E. Meier. 1968. pic.twitter.com/cVYqyLpBAu

Catálogo Geral de Tipos Imprensa Nacional, Lisboa, Portugal, 1916. pic.twitter.com/OPw6DssrHy

David Kindersley, Graphic Variations, 1979. pic.twitter.com/O5Eh1OfcVI

Tom Phillips, A Humument: A Treated Victorian Novel, fifth edition, 2012. pic.twitter.com/tuYSDHLggJ

Warren Lehrer, French Fries, New York, 1984 pic.twitter.com/nbdqs3ojur

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